







| Historical Article Found ! This 1966 article was published in the Frontier Times magazine. The author, Leo Gaudreau, interviewed Bob & Ferdie Brislawn, at the time they resided in Finley, OK. I've taken the text exactly as it was written. |
| The Spanish Barb |


| Queenie A medicine hat cow pony out of overo pintos, brought from the Crow reservation in 1925 by Charles & Dick Williams. Queenie has a blue roan bonnet & markings, four white feet & is glass eyed. |
| The horseman who has not delved into the history of the mustang has deprived himself of hours of exciting reading, for the part this horse plays in equine history is totally unique. Perhaps my life-long enthusiasm for mustangs is blinding me to reality that, in spite of the affection that some of us hold for these hardy horses, there may never be an important re-population of them. But then, who knows ? Take the case of the appaloosa, for instance. Much water has flowed under the bridges, & many leaves have dropped from the trees since the vast Appaloosa herds of the Nez Perce were scattered, following the Indian's defeat in the war of 1877. Yet, sixty years later, in 1987,a magazine article inspired successful efforts to bring about a re-population of the Appaloosa breed Hunting "mustangs" or hunting "wild horses" is considered synonymous; common usages has dictated this. When the "Wild Horse Act" was signed, during the Eisenhower Administration (a law to protect the wild horses of the westernplains from extinction), students of horse evolution, argued that there had not been a wild horse in this country in 10,000 years. that the last was the Ice Age Horse. The correct word is "feral". This denotes a descendant of a once-domesticated animal which escaped the control of human society (or was abandoned) to live in a state of nature. Dr. George Gaylord Simpson, anauthority on wild horses, Agassiz professor of Harvard's Museum of Contemporary Zoology, said, "Every time one leaps the pasture fence and goes native, you've got a feral horse but it's wrong to call him wild." In spite of preaching will ever substitute the word feral for the more commonly accepted term, wild. |
| Yellow Fox Pine & American Horse told Bob Brislawn, they rode this kind of Cheyenne Indian Pony around Custer's Seventh. Yellow Fox has run the hide off Arabians & QH's |

| Anyone living in San Juan Bautista, California or visiting there, can follow the spread of the horse in North America by going to the Plaza Hotel, now a museum, and studying its large charted wall map. The old hotel used to be a stage stop back in 1868. The map shows initial landings of horses from Spain in 1493, from England in 1620, from Sweden in 1629 (and again from England), from Flanders in 1660, and from France in 1665: The spread of Spanish horses is indicated by arrows, dates and areas. Mustangs are not the horses running loose on the prairies that finally end up as canned dog-food. Pure mustangs were common until about 1900. By 1920 they were scarce and by the late 1920s only a few relatively pure mustangs existed in remote places. In 1920 I was sixteen years old and carrying on a correspondence with Bat Masterson while he was working on New York Morning Telegraph. He was teaching me the fast-draw by mail. His death about a year later caused me some concern, but not nearly as much as what I believed to be the completeextinction of my beloved mustangs. I wish I had become acquainted with the brothers Breaslain, Robert and Ferdinand (presently of Finley, Oklahoma)back in the Twenties. I did not know them (principally Bob) until many years later. Since the late 1920s they have been carefully gathering a foundation of the purest Spanish mustangs available on this continent. On June 14, 1956, at Sundance, Crook County, Wyoming, an Association was established for the North American equivalent of the Criollo of South America-the mustang, mostly of Spanish Barb ancestry. Can a mustang be recognized by appearance or color? I can't think of a better authority to answer that than Bob Breaslain. "I am over seventy years of age and most of my life I have been using Spanish and Indian ponies. Yet I cannot tell one just by looks. These Spanish mustangs should not be confused with the wild horses of today. Those could be any breed, or mixed breed. A friend of ours ran wild horses in Nevada in the winter of 1954-55. He said the ones he trapped were a wild bunch of hot bloods, and another bunch was of good Arab strain that had got away and gone wild. The same is true elsewhere in one way or another. "As far as color is concerned," Bob informed me, "they run the gamut of rainbow colors-solid colors, duns, roans, and pintos of both kinds (overo and tobianos), plus true buckskins, white, black, Ysabella, and "Appaloosie". Color by itself does not matter too much, especially if a pinto is black and white; where there was one pinto forty years ago, there are forty today, and thirty nine of these will carry English pony blood. As far as I am concerned, pintos, paints, Ysabellas, Appaloosies, buckskins, duns, and grullos are all just color phases of the Barb, or Spanish Barb. The Ysabellas (Palominos) are also called California Sorrels, as they originated in Spain and were brought by early Spaniards to the Missions in California." As far as size is concerned, Bob had the following information to convey: "These ponies are from 12 ½ to 14 ½ hands; generally they run to 14 hands, and weigh from 725 to 800 pounds. They are rugged and can be used for riding, driving, and they are surely one of the best for packing. Next to the little Spanish mule they come first as a pack horse. I was a packer for the U.S. Topographical Survey for thirty years and need these ponies all the time. When it comes to cow sense, and horse sense too, I go along with the famous man who said they are smarter than a tree of owls." The Breaslains have five Medicine Hat mares and a Medicine Hat stallion (San Domingo). The blood in these war horses still run wild, hot and free. The ponies have different colored bonnets and markings, some being red, black, blue, purple, or tan, but always roanish. They are called "War Bonnets" or "War Paints" by the whites. The Medicine Hat was the war horse of most of the Plains Indians, especially the Sioux, Cheyenne, Blackfeet and last, but not least, the Comanches. Of divine origin (each one a mustang), the Medicine Hat is sacred, rare, and meant only to be used by untamed spirits. Horse and rider then become spiritually attached, ranging heaven and earth unbounded. The Comanche warrior was invulnerable if riding in battle on a Medicine Hat-arrow or rifle ball could not touch the Kiowa mounted on one of these ponies-a War Paint was Blackfeet big medicine. The Medicine Hat was made immortal by the early Western artists: Charles M. Russell's "When Sioux and Blackfeet Meet"; Frederic Remington's "Caught in the Circle"; William R. Leigh's in the Grand Central Art Galleries, New York, "The Master Hand," showing a Plains Indian on a Medicine Hat chasing wild horses; Chales Schreyvogel's "The Silenced War Whoop." In fact, in most Indian scenes of the West, one or more Medicine Hats are shown. A photograph taken by John W. Wilson in 1871 shows Chief Looking Glass (Nez Perce') on a Medicine Hat. The Brislains (Spanish Mustang Registry) hope to restore and perpetuate these War Horses, as they are a valuable part of our heritage. The Spanish Mustang Registry, Inc., was established as a non-profit corporation. It's three directors are Robert E. Breaslain, Sr., president; Robert E. Brealain, Jr., vice-president; and Lawrence P. Richards, Ph.D., Idaho State College, secretary. Many people write to the Registry hoping their pony is a Spanish mustang. Traits, size, characteristics, conformation, and color are required points of information, but the Registry needs any information you can supply about the history of the horse. Was your pony from an Indian reservation herd? Was it caught feral (wild) in a rough, isolated spot? What sort of horses were in the same herd, or other herds nearby where the horse was captured? Were any ponies in the vicinity of capture claimed by natives to be authentic Spanish or Indian ponies? If bought in a sale ring, give history of dam and sire. Explain why you believe it is Spanish, within the limits of just and reasonable probability. The Breaslains are breeders of Spanish mustangs. They have two studs by a Spanish mustang stallion. The stallion was trapped in Utah in 1927 at the age of three by Monty Holbrook, a professional mustanger. A pure-bred Ute Indian sorrel mare was their mother. The old stallion was a true bucksin under 14 hands, with all the primitive markings: wide dorsal strip, zebra or finger legs, small snipped ear, and the dark cross of the Christ burro over the withers. This old stallion went back to the wilds in Southern Idaho at the age of 18, taking several thoroughbred mares and two Spanish pinto mares along with him. Both of the studs are under 14 hands. One is an orange dun and the other is a grullo. They have dark skin and practically all of the colts are duns of some sort with all of the primitive or Spanish markings. Occasionally there is a blood bay, brown, or chestnut. To start with the Breaslains had a few small authentic mares brought to Crook County, Wyoming, from the Crow reservation in Montana, by Charles and Dick Williams in August, 1925. Later, they managed to pick up two Spanish mares from New Mexico, a small buckskin Spanish mare from across the Mexican border, five grullo mares and one true buckskin mare from stock that Holbrook had been keeping pure since 1930. The Wyoming Kid (Bob Breaslain, 76 years old), said, "Now, we have some nice authentic Spanish stock. These ponies of ours are very likely descendants of the Spanish ponies brought in by the Spaniards, about 1600, when Santa Fe, New Mexico, was in its first bloom. We like to have people come to visit us and see these ponies." The Spanish Mustang Registry is interested in pure Spanish blood-lines. The Registry is not interested in ribbons and show horses. The different colors, wide dorsal stripes, zebra markings, dishface, glass eyes, benched hind legs, pink skin, and Roman nose, all come from the Barb, Arabian and Spanish horse. They are taken as they come, for the mustang as Charles M. Russell said, ".is God made and God given, therefore the best." The mustang, and the longhorn breed of cattle (the rainbow cattle) are about as Western as anything could be. When the spirit of the mustang dies, pure blood will not save him. Spirit gone, he will wither and die. The protecting of the heart of the mustang is the purpose of the Registry, and the Asociacion de las Cimarrones. Only a Cimarrone should ride or own a mustang. Anyone wishing to contact the Spanish Mustang Registry can do so by writing to: Kitty Ui Breaslian, Box 142, Finley, Oklahoma or Cayuse Ranch, Oshoto, Wyoming. The Registry has only one goal, ".to preserve some of the last remnants of the mustang by registering some of the finer and better authenticated animals, and from these to perpetuate the mustang for posterity." There are about 110 mustangs registered at present. These are from several states, and it is now a certainty that the mustang can be restored without resorting to inbreeding. |

| Map published in "The Appaloosa Horse" Appaloosa Horse Club Stud Book & Registry, 1952 |

| Bob Brislawn & San Domingo A medicine hat stallion |

| War Bonnet filly owned by John Benedict |

| Charles M Russell's "When Sioux And Blackfeet Meet" |

| Charles Schreyvogel's "The Silenced War Whoop" |
| Buckshot Monty x Bally |
| Ute Monty x Bally |
| Young longhorn cow. She is a direct descendent of the Cap Yates stock |
| This handsome chap is also a Yates bred Bull. He's branded WR 1125 Photo Credit: Weldon Merchant |